Harare Singer's Child Support Dilemma
A singer from Harare faces difficulties in supporting his children due to low income from his music career.
Sam Morgan
- 2023-12-27
- Updated 08:42 PM ET
(NewsNibs) - In the bustling capital of Zimbabwe, singer Stancilous Rovani is entangled in legal disputes over child support. Rovani's financial struggles came into the spotlight at the Harare Civil Court, where Victoria Shonhiwa, the mother of his three children, is demanding $300 monthly for their support. The singer stated during the proceedings that he's not getting enough shows to maintain a stable income, severely impacting his earnings and ability to pay the requested amount. In an attempt to make ends meet, Rovani has resorted to selling face powder in the local Mbare market.
Custodial Disputes and Financial Strain
While Rovani has expressed his willingness to contribute $50 and help with school fees on an occasional basis, he has also voiced discontent regarding custodial arrangements. He would like to have at least one child live with him, despite the two currently residing with their mother. His attempts at co-parenting have previously been marred by allegations of inadequate care. Shonhiwa claims that she had initially given Rovani custody of one of their children but was compelled to reassume care after receiving reports of poor treatment from a neighbor.
Court Mandates Increased Child Support Contribution
The presiding judge, Ayanda Dhlamini, after considering the circumstances, has ordered Stancilous Rovani to pay $70 per month for child support. Additionally, the judge underscored Rovani's responsibility to transport the children to school. This order aims at ensuring the welfare of the children amidst the parents' disputes and financial constraints of the father's fluctuating career in music and sales.
The face of the Harare music scene is not always glamorous as it turns out; sometimes it's about making tough choices and facing the music in more ways than one. This court order brings to light the realities faced by struggling artists and the complex interplay between custody and financial support in Zimbabwe.
